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When totalitarian states such as China tend to look down up on notions such as "free democracy" or "free press," there is a certain amount of pragmatism in their approach. Western countries are not really free. They have the illusion of being free. Nobody is more enslaved than those who falsely believe their free. In America in particular, truth is ignored, hidden, embellished, or whitewashed i.e. given the Hollywood treatment.
"I am not even interested," said Charlie Chaplin when asked whether he was going to have his latest film shown in the U.S. Why, what was wrong? "There is nothing wrong with the American people. It is the top who decay and putrify!," Chaplin explained. Harsh words, no doubt but why? The movie A King In New York was set in New York and yet here was Chaplin (in London, circa 1956) refusing to release the movie in the United States. What made him feel so disgusted and angry? Welcome to the the land of the free.
What many people see of America is not really America; it is Hollywood. Not just foreigners, even Americans see America through the eyes of Hollywood. Take World War II. Many Americans think that it was they who saved the world! (It was actually Russia*, led by like-it-or-not Stalin, which was the first to inflict a defeat on the Nazis, free a host of countries from occupation, enter Berlin and take charge of Hitler's bunker.)
Not many know that not until the Japanese attack on Pearl Harbour, America had never entered the War on the side of Britain and France. Or, more correctly, they have absolutely no idea of the significance of this decision. Like the grandfather of George Bush, America was busy trading with Nazi Germany. Many, like Bush family patron William Farris (of Standard Oil, now Exxon), were making their fortunes off Nazi slave labour. The U.S. had also closed its gates to European Jews wanting to flee persecution; (forcing them to go to Palestine where they established Israel and have since remained in conflict with the original owners of the land and with their Arab neighbours.) Franklin Roosevelt spent much of his time assuring his nation that he would NEVER send "their children in harm's way" - certainly a poor foil alongside real heroes like Winston Churchill, Charles de Gaulle or even Josef Stalin. It was precisely this geographic and political isolation from the conflict, which drew people in the war zone like a magnet to the American continent.
"DO YOU WANT TO DENY YOURSELF THE RIGHT TO BE A MAN?" a psy-ops leaflet, dropped by proud American soldiers in Vietnam, asks. You don't see this in Hollywood movies. It affects recruitment of poor people to fight the wars of rich folk.
So, after sheep-faced Americans joined the war, films like Casablanca were released, which had Americans showing hitherto unseen courage and sparing no effort to save hapless Europeans from evil Nazis. Sure, these films helped sell a lot of "war bonds" to aid the war effort but "war films" continued to be made even after the real war was over - all of them showing Americans as the selfless saviours of the world; all of them conveniently ignoring the enormous sacrifices made by the Russians and the heavy losses made to bear on civilians in the Axis nations. During the War, American soldiers like good soldiers everywhere went about raping and pillaging when they were not busy fighting. In almost all of the war films, Americans GIs were models of good behaviour. It is this image that generations of Americans have believed in, rather than in what history books would have had to offer.
In his book Know Thine Enemy, Reuel Marc Gerecht, a former CIA man who worked in the US consulate in Istanbul during the 1980s, provides an insight into how Freedom typically operates. Gerecht's job was to debrief would-be Iranian defectors:
"I'd let hundreds of desperate Iranians languish in Turkey. People who'd given me insights never found in books. I'd watched mothers with children drop to their knees and beg for my help... They didn't want money, just a little kindness, a visa out of their personal hell ... [they met] a sympathetic man waiting in a warm room full of food, coffee, tea, alcohol and cigarettes. A US official who'd politely strip them of all their memories and every corpuscle of information and then reopen the street-side door."
Rambo II, starring Sylvester Stallone, has Islamic fighters in Afghanistan portrayed as brave freedom fighters, quite in line with government policy at that time. By the time True Lies starring Arnold Schwarznegger was made, the "freedom fighters" had become "terrorists" both on screen and in the real world! Movies that romanticises military life (aiding recruitment, usually from poorer sections of the American society) such as Top Gun or Black Hawk Down get active cooperation (and under-publicised editorial input) from the U.S. military while others that question military postures have to rope in a foreign government for using their military hardware.
When Saddam Hussein used to conduct his Yes-Or-No elections in which he was always the only candidate), each and everyone of those Iraqi voters fully evaluated the consequences of his/her action and only then cast the vote. In sharp contrast, voters in India and the United States treat ballots on par with toilet paper. At least, that is what it looks like when the Rothschilds supply the voting machines. (The chips used in Indian voting machines are made by foreign companies. In Western countries, Rothschilds either own or control companies manufacturing voting machines.
In May 2003, an Iraqi boy who suffered burns all over his body, had his arms amputed above the elbow, and lost 20 members of his family after an American missile hit his home became subject of a media frenzy. Although the boy refused American offers of free medical treatment, Hollywoood went ahead and made a movie starring George Clooney with an expectedly different story ending. In the Balkans, American soldiers have been indicted of raping women and forcing them into prostitution but that did not stop Hollywood from making a movie, which showed the opposite - an American soldier killing another soldier to prevent a rape from happening! George Bush and 9/11 was also subject of a movie. However, it featured no pet goat. In sharp contrast, Micheal Moore's Fahrenheit 9/11, which attempted to come to terms with truth, was received with unrepressed hostility.
With every war, the deception continues to grow. Even though the fall of the Saddam statue in the middle of Baghdad or the rapturous welcome given to Ahmed Chalabi on his return to Iraq or the daring rescue of Private Jessica Lynch are considered as classics among military psy-ops films, Hollywood remains unbeaten in their effort at perpetuating myths for the U.S. government.
Sure, Hollywood has no designs on the world and they are in it with the American war machine only because it is a mutually rewarding relationship. However, truth becomes a casualty - not just in war but also in peace. This blackout is made complete by sanitised coverage of world events by the American media.
In Iraq, for example, news reports are solely based on the version provided by the U.S. military spokesman. American journalists rarely leave the safe confines of the fortified "Green Zone" in Central Baghdad. However, to fool the American public, videos shot by Iraqi journalists are placed in the background. The American journalist wears a bullet-proof vest, stands in front of the camera and then files his "report." A white screen (not seen by viewers) placed behind this brave journalist allows video technicians in a New York or Washington D.C. studio to be able to seamlessly mix the two videos, creating the illusion of the journalist having actually visited the scene. With this kind of deception, the American military remains free to drop bombs on houses of innocent people.
Several decades ago, Jawaharlal Nehru remarked:
"They shoot and kill and destroy only for the good of the people shot down. The novel feature of the modern type of imperialism is its attempt to hide its terrorism and exploitation behind pious phrases."
His words remain true to this very day. And, "they" continue to do it with the approval of the American people. Americans routinely ask "Why do they hate us so much?"
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* - The Rothschilds, who were promoting war both on the Axis and Allied sides ensured that the Russians could later carve out half of Europe under their sphere of influence - to sustain a longer war, the Cold War. This was why General Patton was asked to cool his heels while the Russians could barge in and take charge.
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This article was first published in October 2006 and last updated in October 2009.